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                <title>This is similar to Lewis Forever Guide to Magic (Guide) -  - ThisIsLike.com</title>
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                        <title>Ryan Trecartin (Artist) -  New York City, United States</title>
                        <name>Ryan Trecartin</name>
                        <category>Artist</category>
                        <link>http://thisislike.com/ryan-trecartin-artist/similar/</link>
                        <description>&lt;img src="http://thisislike.com/images/medium/7650-7509.png" /&gt;&lt;br&gt;&lt;br /&gt;
Structuring his art practice in the same way as a director approaches film making, Ryan Trecartin’s sculptural and installation work incorporates a cast of dozens. Conceiving each show as an experiment in theatrical production, Trecartin conceives loose plots as a basis for collaborative endeavour. Working with a posse of his close mates, Trecartin delegates responsibility: inviting his friends to participate in the creative process, respond to his ideas, and contribute their own input and artwork. Through this unorthodox way of working, Trecartin’s work becomes an uncanny reflection of youth culture, presenting a Gen Y zeitgeist of commodity anxiety, spiritual nihilism, and community value.&lt;br /&gt;
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Trecartin is currently living in LA as a hurricane Katrina refugee; World Wall was conceived as a form of disaster therapy. Working with fellow artist Lizzie Fitch, the project was begun as a simple wooden fence. Enhanced through a series of Mardi Gras float making techniques, this work evolved into a diaristic tribute to New Orleans, a means of engaging with dislocation and loss. Conceived as both a location and living organism, World Wall sprawls with animistic fervour, a seething monument of chaos, festivity, rebirth, and beauty. Through the window, a picture can be seen of the ruins of Trecartin’s old house.&lt;br /&gt;
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            Address: New York City, United States&lt;br&gt;From ThisIsLike.Com            
            </description>
            <contact></contact>
            <address>New York City, United States</address>
            <pubDate>Wed, 08 Jul 2009 10:24:12 -0500</pubDate>
            <originalDescription>&lt;br /&gt;
Structuring his art practice in the same way as a director approaches film making, Ryan Trecartin’s sculptural and installation work incorporates a cast of dozens. Conceiving each show as an experiment in theatrical production, Trecartin conceives loose plots as a basis for collaborative endeavour. Working with a posse of his close mates, Trecartin delegates responsibility: inviting his friends to participate in the creative process, respond to his ideas, and contribute their own input and artwork. Through this unorthodox way of working, Trecartin’s work becomes an uncanny reflection of youth culture, presenting a Gen Y zeitgeist of commodity anxiety, spiritual nihilism, and community value.&lt;br /&gt;
&lt;br /&gt;
Trecartin is currently living in LA as a hurricane Katrina refugee; World Wall was conceived as a form of disaster therapy. Working with fellow artist Lizzie Fitch, the project was begun as a simple wooden fence. Enhanced through a series of Mardi Gras float making techniques, this work evolved into a diaristic tribute to New Orleans, a means of engaging with dislocation and loss. Conceived as both a location and living organism, World Wall sprawls with animistic fervour, a seething monument of chaos, festivity, rebirth, and beauty. Through the window, a picture can be seen of the ruins of Trecartin’s old house.&lt;br /&gt;
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</originalDescription>
                        <imageurl>http://thisislike.com/images/medium/7650-7509.png</imageurl>
                        <eventdate></eventdate>
            <eventdate2></eventdate2>
            <durational>0</durational>
            <objectID>7650</objectID>
            <tags>visual arts, media, video, film, sculpture, installations, </tags>
            <city>New York City</city>
            <affiliate></affiliate>
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                <item>
                        <title>Sarah Lewis (People) </title>
                        <name>Sarah Lewis</name>
                        <category>People</category>
                        <link>http://thisislike.com/sarah-lewis/similar/</link>
                        <description>&lt;img src="http://thisislike.com/images/medium/7185-6949.png" /&gt;&lt;br&gt;&lt;br&gt;
            Address: &lt;br&gt;Contact: http://playberlin.com/tag/sarah-lewis&lt;br&gt;From ThisIsLike.Com            
            </description>
            <contact>http://playberlin.com/tag/sarah-lewis</contact>
            <address></address>
            <pubDate>Fri, 05 Jun 2009 17:31:39 -0500</pubDate>
            <originalDescription></originalDescription>
                        <imageurl>http://thisislike.com/images/medium/7185-6949.png</imageurl>
                        <eventdate></eventdate>
            <eventdate2></eventdate2>
            <durational>0</durational>
            <objectID>7185</objectID>
            <tags></tags>
            <city></city>
            <affiliate></affiliate>
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                        <title>New Museum (Venue) -  New York, United States</title>
                        <name>New Museum</name>
                        <category>Venue</category>
                        <link>http://thisislike.com/new-museum-venue/similar/</link>
                        <description>&lt;img src="http://thisislike.com/images/medium/7137-6908.png" /&gt;&lt;br&gt;The New Museum is the only museum with a mission to promote new art and new ideas, and the only museum in New York City devoted exclusively to contemporary art. Founded in 1977, the Museum was conceived as a center for exhibitions, information, and documentation about living artists whose works did not yet have wide public exposure or critical acceptance. It has a unique history of being founded by a curator—Marcia Tucker—who had neither personal resources nor a collection, just abundant resourcefulness and a passion for living culture. At its inception, the Museum lay somewhere between a grassroots alternative space and a major museum devoted to proven historical values. The deliberate paradox was embodied in the name “New Museum” and Tucker’s daring vision and combative idea to present new art in a critical and scholarly context.&lt;br /&gt;
&lt;br /&gt;
The New Museum has evolved over the past thirty plus years, from its humble beginnings as a startup in a one-room office on Hudson Street in 1977, to a gallery space in the New School later that year, to its expansion and relocation to SoHo in 1983, to the inauguration of its first freestanding, dedicated building in 2007. Our culture has also evolved over this period of time and contemporary art is more widely embraced today. The New Museum has an important and influential legacy and role to keep breaking new ground. A site of ongoing experimentation and questioning of what art and institutions can be in the 21st century, the New Museum continues to look to the future through programming that is open, fearless, and alive.&lt;br /&gt;
&lt;br /&gt;
From &lt;a href=&quot;http://thisislike.com/utils/click_counter.php?url=http%3A%2F%2Frhizome.org%2Finfo&quot; target=&quot;_blank&quot;&gt;http://rhizome.org/info&lt;/a&gt;&lt;br&gt;
            Address: 235, Bowery, New York, United States&lt;br&gt;Contact: +1 212 219 1222 , http://www.newmuseum.org&lt;br&gt;From ThisIsLike.Com            
            </description>
            <contact>+1 212 219 1222 , http://www.newmuseum.org</contact>
            <address>235, Bowery, New York, United States</address>
            <pubDate>Tue, 02 Jun 2009 11:46:27 -0500</pubDate>
            <originalDescription>The New Museum is the only museum with a mission to promote new art and new ideas, and the only museum in New York City devoted exclusively to contemporary art. Founded in 1977, the Museum was conceived as a center for exhibitions, information, and documentation about living artists whose works did not yet have wide public exposure or critical acceptance. It has a unique history of being founded by a curator—Marcia Tucker—who had neither personal resources nor a collection, just abundant resourcefulness and a passion for living culture. At its inception, the Museum lay somewhere between a grassroots alternative space and a major museum devoted to proven historical values. The deliberate paradox was embodied in the name “New Museum” and Tucker’s daring vision and combative idea to present new art in a critical and scholarly context.&lt;br /&gt;
&lt;br /&gt;
The New Museum has evolved over the past thirty plus years, from its humble beginnings as a startup in a one-room office on Hudson Street in 1977, to a gallery space in the New School later that year, to its expansion and relocation to SoHo in 1983, to the inauguration of its first freestanding, dedicated building in 2007. Our culture has also evolved over this period of time and contemporary art is more widely embraced today. The New Museum has an important and influential legacy and role to keep breaking new ground. A site of ongoing experimentation and questioning of what art and institutions can be in the 21st century, the New Museum continues to look to the future through programming that is open, fearless, and alive.&lt;br /&gt;
&lt;br /&gt;
From &lt;a href=&quot;http://thisislike.com/utils/click_counter.php?url=http%3A%2F%2Frhizome.org%2Finfo&quot; target=&quot;_blank&quot;&gt;http://rhizome.org/info&lt;/a&gt;</originalDescription>
                        <imageurl>http://thisislike.com/images/medium/7137-6908.png</imageurl>
                        <eventdate></eventdate>
            <eventdate2></eventdate2>
            <durational>0</durational>
            <objectID>7137</objectID>
            <tags>contemporary art, museum, performances, music, theater, dance</tags>
            <city>New York</city>
            <affiliate></affiliate>
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